VIDEOS
(Short films & Commercials & Animation)504/GWT
With a background in Film and Advertising Directing from the China Academy of Arts, my video practice spans across narrative, documentary, animation, and digiontent.
Ovetal cr the years, I have taken on diverse roles including director, planner, co-producer, production coordinator, editor, colorist, and set designer.
My work covers everything from short films and animated shorts to documentaries and commercials.
Through these experiences, I’ve developed a strong sense of visual storytelling and gained insight into the workflow of both independent and commercial productions.
PAN YINXIUDOC 234—34/2
Production Coordinator
Editor
* This project is currently being submitted to film festivals and exhibitions, and is therefore not available for public viewing at the moment.
The story begins at the funeral of Pan Yin Xiu, an aging woman , prideful temperament. She never truly believed in spiritual rituals, but in death, she finds herself caught in the very spectacle she once valued for its appearance.
What unfolds is a slow unraveling of her relationship with her daughter—marked by unresolved tension, pride, and emotional distance. revealing the small, painful fractures of a mother-daughter bond that was never openly affectionate, never healed. In life, they never said “I love you” or “I’m sorry.” In death, the silence lingers.
Pan Yin Xiu reflects on generational estrangement, the emotional repression common in East Asian households, and the grief that follows when affection is left unexpressed. Through a blend of realism and quiet surrealism, the film gently questions: what happens when love is withheld too long, and death arrives before reconciliation?